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Corbet: Funeral at Ornans 1850 Realism |
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Corbet: The Artist's Studio 1855 Realism |
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Eakins: The Gross Clinic 1875 Realism |
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Manet: Olympia 1863 Modernism |
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Manet: Luncheon on the Grass 1863 Modernism **Flaneur** |
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Manet: A Bar at the Folies-Bergere 1881 Modernism |
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Monet: La Gare Saint Lazare 1877 Impressionism **Haussmannization** |
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Monet: Haystacks 1891 Impressionism |
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Degas: The Rehearsal Onstage 1874 Impressionism |
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Degas: Dancers Practicing at the Bar 1877 Impressionism |
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Degas: The Dance Class 1874 Impressionism |
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Cassatt: Woman in Black at the Opera 1880 Impressionism |
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Cassatt: Le The 1879 Impressionism |
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Cassatt: The Boating Party 1893 Impressionism **Japonisme** |
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Cassatt: The Child's Bath 1893 Impressionism |
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Caillebotte: A Paris Street 1877 Impressionism |
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Seurat: Sunday Afternoon on the Isle of Grande Jatte 1884 Post-Impressionism **Pointillism** |
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Van Gogh: Pair of Shoes 1885 Post-Impressionism |
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Van Gogh: Self Portrait with Straw Hat 1887 Post-Impressionism |
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Gaugin: Vision After the Sermom 1888 Post-Impressionism |
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Gaugin: Day of the God 1894 Post-Impressionism **Primitivism** |
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Cezanne: Bathers 1902 Post-Impressionism |
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Cezanne: Mont Sainte-Victoire 1902 Post-Impressionism |
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Rodin: Burgers of Calais 1889 Post-Impressionism |
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Rodin: The Gates of Hell 1880 Post-Impressionism |
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Rodin: Balzac 1891 Post-Impressionism |
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Munch: Scream 1893 Symbolists **Modernity** |
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Matisse: The Red Studio 1911 Fauvism |
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Matisse: Joy of Life 1909 Fauvism |
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Picasso: Self Portrait 1901 Blue Period |
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Picasso: The Old Guitarist 1903 Blue Period |
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Picasso: Life 1903 Blue Period |
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Picasso: Family of Saltimbanques 1905 Rose Period |
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Picasso: Les Demoiselles d'Avigon 1907 Analytic Cubism |
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Picasso: Portrait of Vollard 1910 Analytic Cubism |
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Picasso: Still life with Chair Caning 1911 Synthetic Cubism |
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Picasso: Figures on a Beach 1931 Synthetic Cubism |
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Picasso: Guernica 1937 Synthetic Cubism |
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Gustave Courbet, Stone Breakers, 1849 Realism **Avant-Garde** |
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Franz Marc, Small Yellow Horses, 1912 German Expressionism |
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Kathe Kollwitz, Woman with Dead Child, 1903 German Expressionism |
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Kathe Kollwitz, Never Again War, (1924) German Expressionism |
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Max Beckmann, The Night, 1919 German Expressionism |
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Max Beckmann, The Ideologists from Hell, 1919 German Expressionism |
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Luigi Russolo, Noise Instruments, 1913 Futurism |
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Umberto Boccioni, Unique forms of Continutiy in Space, 1913 Futurism |
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Umberto Boccioni, States of Mind: The Farewells, 1911 Futurism |
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Giacomo Balla, Dynamism of a Dog on a Leash, (1912) Futurism |
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Man Ray, Gift, 1921 Surrealism (Biomorphic) |
| Flâneur | images of an idler or lounger Example Caillebotte: A Paris Street |
| Haussmannization | The creative destruction of something for the betterment of society Example = Monet: La Gare Saint Lazare |
| Modernity | a modern way of thinking, working. Set of Characteristics of social and political makeup during a time. Example Munch: Scream 1893 |
| Modernism | a style or movement in the arts that aims to break with classical and traditional forms Manet: Olympia 1863 |
| Avant-garde | an invented concept of new and unusual or experimental ideas, by people not feeling apart of the world but who want to bring the rest of society with them. Corbet: Funeral at Ornans 1850 |
| Japonisme | the influence of the Japanese art, culture, and aesthetics. The term is used particularly to refer to Japanese influence on European art, especially in impressionism. Cassatt: The Boating Party 1893 |
| Primitivism | a belief in the value of what is simple and unsophisticated. Gaugin: Day of the God 1894 |
| Analytic Cubism | it is almost impossible to figure out the images. However, they are there--no matter how distorted they may be. Picasso: Portrait of Vollard 1910 |
| Synthetic Cubism | generalized, more geometrically simplified and flatter. Overlapping planes sometimes shared one color, and painted areas were replaced with paper. Picasso: Still life with Chair Caning 1911 |
| Assemblage | a work of art made by grouping found or unrelated objects Duchamp: The Bride Stripped Bare by her Bachelors 1923 |
| Readymade | not needing to be specially created or devised. Simply bought or found. Duchamp In Advance of the Broken Arm 1964 |
| Prairie Style | Prairie houses were characterized by low, horizontal lines that were meant to blend with the flat landscape around them. Frank Lloyd Wright Falling Water 1935 |
| Proun | Project for the affirmation of the new Lissitzky, Proun (Project for Progress), 1924 |
| Biomorphic | Reference to inexplicit organic forms. Miro, Woman with a Blond Armpit Doing her Hair by Starlight, 1940 |
| WPA | the Works Progress Administrations department employed musicians, artists, writers, actors and directors in large arts, drama, media, and literacy projects. Wood, American Gothic, (1930) WPA |
| Formalism | the study of art by analyzing and comparing form and style—the way objects are made and their purely visual aspects. In painting formalism emphasizes compositional elements such as color, line, shape and texture rather than iconography or the historical and social context. Piet Mondrian, Composition in Line, (1916-7). |
| Die Brucke | a group of German expressionist artists formed in Dresden in 1905, Kirchner: Berlin Street 1913 |
| Der Blaue Reiter | was a group of artists from the Munich, Germany. The group was founded by a number of Russian emigrants, and was a movement lasting from 1911 to 1914 Franz Marc, Small Yellow Horses, 1912 German Expressionism |
| Pointillism | a technique of using tiny dots of various pure colors, which become blended in the viewer's eye. Seurat: Sunday Afternoon on the Isle of Grande Jatte 1884 |
| Merz | Means Commerce. The artists takes scraps of commerce to make art. Schwitters, MZ 439, 1922 |
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Kirchner: Berlin Street 1913 German Expressionism **Die Bruke** C/C WITH MANET (BAR @ FOLIES BERGERE) |
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Tatlin: Monument to the Third International 1920 Soviet Constructivists C/C WITH MALEVICH |
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Lissitzky: Beat the whites with the red Wedge 1920 Soviet Constructivists **Proun** |
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Malevich: Black Square 1923 Supremetism C/C WITH TATLIN |
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Duchamp: The Bride Stripped Bare by her Bachelors Dada 1923 C/C WITH OPPENHEIM |
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Oppenheim: Object **Readymade** C/C WITH DUCHAMP |
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Mondrian: New York City 1 1941 Neoplasticism |
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Rivera: Detroit Industry 1932 Mexican Muralism |
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