Toni Cade Bambara, b. 1939,
New York, NY, d. 1995.
In 1974, she moved to Georgia.
She was interested in all
kinds of topics and went to
school in several New York
colleges, as well as Italy
and France.
Much of her contributions
to literature centered
around African American
culture.
In 1970, she was the first person
to anthologize the writing of
African American women.
She taught at the City College
of New York, Scribe Video
Centre, Rutgers University,
Atlanta University, and
Spelman College.
She had a notably different
writing style from other
authors of her time.
Her story plots were not always
linear. She also used a lot of
dialectical speech. –> Critics
described the conversational tone
of her stories as “being black.
Story Background
The Lesson was written in
1972. The story was probably
set around that time, too.
Written in 1st person, from the
perspective of Sylvia.
Set in Harlem, but during an
unspecified time only described
as “Back in the days when
everyone was old and stupid or
young and foolish and me and
Sugar were the only ones just
right.”
Probably sometime in the 1970s
(based on prices of items in story
and the year it was published)
It is very specifically summer.
–> Sylvia mentions how they
are out of school.
Characters
Sylvia – a sassy, young girl
Sugar – Sylvia’s cousin
Junior – another
cousin/young person
in Sylvia’s
neighborhood
Miss Moore – a young,
college-educated
woman who comes
into Sylvia’s Harlem
neighborhood with the
goal of educating the
youth
Aunt Gretchen – the
main gofer
Other children: Flyboy,
Fat Butt, Junebug, Q.T.,
Rosie Giraffe,
Mercedes
“You got some ole dumb shit foolishness you
want somebody to go for, you send for Aunt
Gretchen.”
She is described as having “nappy hair and
proper speech and no makeup.”
She didn’t use her first name. (Always the
proper “miss”)
She had a very dark skin tone – “black as hell”
“always looked like she was going to church
though she never did.”
“me (Sylvia) and Sugar were the only ones
just right”
Sylvia is very close with her, but also seems
to be the dominant one between the two.
Her inner thoughts are often crude and rude.
We don’t learn her name until Miss Moore
says it very late in the story.
Main Ideas & Themes
Wealth Inequality
Miss Moore’s big lesson in the
story is that of wealth inequality.
The gap in wealth between
certain neighborhoods, especially
Black and minority areas, is
shown to be a flaw.
She goes out of her way to show
kids who have not been exposed
to the difference in their
socioeconomic situation.
Wealth Inequality in the US Visualized
Insulated Community
The neighborhood that Sylvia
lives in is distrustful of people
like Miss Moore; she is
college-educated, plus she
doesn’t fit in well thanks to her
proper manners and prim
clothes.
The treatment of Miss Moore
shows that this place is a
community that is largely
insulated from anything besides
its own people and their lives.
It is also worth noting that the
group of children appear
standoffish to Mercedes (who
seems to be from a slightly
wealthier household) and
Flyboy (who they claim lies
about his homelessness to gain
sympathy).
They even separate each other
into smaller groups based on
income disparity despite the
fact that they probably belong
in the same social class.
Condescending Lessons
Miss Moore, as an outsider,
is not seen as the best
person to be teaching this
lesson about wealth
inequality to these kids.
Sylvia, who is sassy and
rebellious, is resistant to Miss
Moore and her lessons.
However, by the end of the
story Sylvia determinedly
mulls over the day and the
lesson.
Her last thought is that
nobody will beat her at
nothing. She seems
determined that the
inequality she saw in the toy
store will not be the story of
her life.
Style and Tone
Long paragraphs eventually give way to dialogue
Bambara’s work was noted for its great use of
dialectical speech.
EX: “So this one day Miss Moore rounds us all up at the
mailbox and it’s puredee hot and she’s knockin herself
out about arithmetic. And school suppose to let up in
summer I heard, but she don’t never let up.”
Summary
Sylvia tells a story about when she was young and Miss
Moore moved into her neighborhood of New York City.
Miss Moore decides to take the children of the neighborhood
on an outing.
She talks to them about money and the cost of living.
Miss Moore bundles them all into taxis and they end up on
Fifth Avenue.
“Then we check out that we on Fifth Avenue and everybody
dressed up in stockings. One lady in a fur coat, hot as it is.
White folks crazy.”
They visit FAO Schwarz in Manhattan (a famous toy store).
Miss Moore has them read the prices for crazy things like
microscopes and paperweights made with semi-precious
gems.
Before heading in, Sylvia and Sugar seem to hesitate.
“But I feel funny, shame. But what I got to be shamed about? Got
as much right to go in as anybody. But somehow I can’t seem to
get hold of the door, so I step away from Sugar to lead. But she
hangs back too. And I look at her and she looks at me and this is
ridiculous. I mean, damn, I have never ever been shy about doing
nothing or going nowhere.”
Sylvia becomes angry after considering the prices of many of the toys in
the store. She realizes that for the same price as a small, silly toy in this
store, she and her family could afford so many amazing things.
Sylvia is mostly mad at Miss Moore for making her think hard about
these things and how unfair they are. Later, she can’t seem to figure
out where to direct her anger – Miss Moore, Sugar, white people?
Miss Moore asks what they’ve learned.
Sugar says “I think that this is not much of a democracy if you ask me.
Equal chance to pursue happiness means an equal crack at the dough,
don’t it?”
Last line: “But ain’t noboby gonna beat me at nuthin’.”
Selected Quotes
“And she was always planning these boring-ass things for us to do,
us being my cousin, mostly, who lived on the block cause we all
moved North the same time and to the same apartment then
spread out gradual to breathe.”
Bambara is probably making a reference to the Great
Migration. This was the movement of about 6 million African
Americans from the rural South to cities in the North
between 1916 and 1970.
“Who are these people that spend that much for performing clowns and
$1000 for toy sailboats? What kinda work they do and how they live and
how come we ain’t in on it? Where we are is who we are, Miss Moore
always pointin out. But it don’t necessarily have to be that way, she
always adds then waits for somebody to say that poor people have to
wake up and demand their share of the pie and don’t none of us know
what kind of pie she talking about in the first damn place.”
This is wealth inequality seen through a child’s eyes. There is
an innocent quality to Sylvia’s outrage.
“We start down the block and she gets ahead which is O.K. by me cause I’m
going to the West End and then over to the Drive to think this day through. She
can run if she want to and even run faster. But ain’t nobody gonna beat me at
nuthin.”
Something has changed with Sylvia from the beginning of the story to the end.
She is not able to jump into her old habits of running around the neighborhood
without a care in the world.