|
Created by Violet Bordin
over 5 years ago
|
|
Question | Answer |
Jesus Soto, Double Transparency, 1956, oil on plexi and wood, Venezuela? | |
Jesus Soto, Penetrable, 1990, aluminum and nylon, Venezuela? installed in LACMA | |
Gego, Gran Reticularea, 1969, stainless steel, South America (Venezuela?) | |
Helio Oiticica, Parangole cape 12: "we live in adversity," 1965, Brazil | |
Lygia Clark, Walking, 1963, scissors and paper, Brazil | |
Le Corbusier, High Court, Chandigarh India, 1951-58 | |
Chandigarh, plan, Capital complex | |
Le Corbusier, The High Court, from Oeuvre Complete | |
Chandigarh, Capital Complex, construction from Oeuvre Complete | |
Le Corbusier, The Monastery of Sainte-Marie de la Tourette, Eveux France, 1957 | |
Le Corbusier, Notre Dame du Haut, Ronchamp France, 1954 | |
Louis Kahn and Anne Tyng, The Parliament, Dacca Bangladesh, 1962-1974 | |
Charles and Ray Eames, Side Chair model DCM, Plywood and steel rods, CA, 1946 | |
Dieter Rams and Hans Gugelot, Radio Phonograph, 1956 | |
Gajanan Upadhyay (National Institute of Design), Indian Lounge Chair, cotton and teak, 1965, India | |
Ray and Charles Eames, 1948 | |
Ray and Charles Eames at home, 1958 | |
Pierre Koenig, Case Study House #21, Los Angeles, 1958 | |
Philip Johnson, The Brick House, New Canaan Conn., 1949 | |
Ken Isaacs, How to Build Your Own Living Structures, 1979, US | |
Mario Bellini, Kar-a-Sutre, 1972, Italy | |
Superstudio, "A shirt moral tale on design, which is disappearing," from Italy: The New Domestic Landscape, 1971 | |
Jackson Pollock, Number 1, Lavender Mist, 1950, paint and found objects on canvas | |
Ad Reinhardt, How to look at modern art in america | |
Hans Namuth, photographs of Jackson Pollock in his studio, East Hampton, 1950 | |
Robert Rauschenberg, Canyon, 1959, mixed media and found objects on canvas, US | |
Andy Warhol, 100 Cans, 1972, silkscreen on canvas, US | |
Louis Sullivan, Chicago Stock Exchange, 1893 (demolished 1972) | |
Frank Lloyd Wright, Frederick C Robbie house, 1909, Hyde Park Illinois | |
Frank Lloyd Wright, Weltzheimer House, Oberlin Ohio, 1949 | |
Richard Neutra, Kaufmann House, Palm-Springs, 1946, Photograph by Julius Shulman | |
Richard Neutra, Lovell Health House, Los Angeles, 1929, "Organome" | |
Richard Neutra, Lovell Health House, Los Angeles, 1929, "Organome" | |
Richard Neutra, Herbert Kronish House, Beverly Hills CA, 1955, "vegetative functions" | |
Richard Neutra, Chuey House, LA CA, 1958 | |
Marcel Duchamp, Fountain, 1917, Readymade, USA | |
Joseph Kosuth, One and Three hairs, 1965, USA | |
Hans Haacke, MOMA poll, 1970, NY MOMA USA | |
Graciela Carnevale, The Lock-up, 1968, gallery installation Argentina | |
Tucuman is Burning, installation views of entrance, 1968, Rosario, Argentina | |
Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970, Brazil | |
CADA, No+, 1983-present, Chile | |
Dance Staff for Shango, Yoruba Nigeria, 19th C | |
Jeff Donaldson, Wives of Shango, 1969, US? | |
Jeff Donaldson, JamPact/JelliTite (for Jamila), 1988, US? | |
Ben Jones, Black Face and Arm Unit, 1971, US? | |
Fred Wilson's "Picasso/Whose Rules?" 1991 | |
Yinka Shonibare, Anglo-Nigerian Scramble for Africa Installation, 2003 | |
John Edmonds, Tete de Homme, 2018 | |
Man Ray, Noire et Blanche (Black and White), 1926 | |
Adrian Piper, The Mythic Being: I Embody Everything You Most Hate and Fear, 1975 | |
Carrie Mae Weems, (Left) You Became a Scientific Profile, (Center) A N-groid Type, (Right) An Anthropological Debate, series: From Here I Saw What Happened and I Cried, 1995-1996 | |
Loma Simpson, Waterbearer, 1986 | |
Hank Wills Thomas (appropriated from Graeme Williams 1990), 2018 | |
Richard Hamilton, Just What is it that Make Today's Homes so Different, so Appealing, 1956 | |
Robert Venturi and Denise Scott Brown, Gothic Revival Chair, 1979-1984 | |
Alessandro Mendini, Proust Armchair, 1979 | |
Ettore Sottsass, Cassablanca Sideboard, 1981, Italy | |
Malcolm McLaren and Vivienne Westwood, Anarchy Shirt, 1976 | |
Neville Brody, Cabaret Voltaire album cover, 1980 | |
Guillermo Gomez-Pena and Coco Fusco, The Couple in the Cage, 1992 | |
Daniel Martinez, Museum Tags, 1993 | |
Glenn Ligon, untitled, 1992 | |
Byron Kim, Synecdoche, 1991-present | |
Fred Wilson, Mining the Museum, 1992-93 | |
Enrique Chagoya, Tales from the Conquest/Codex, 1992 | |
Pascale Marthine Tayou, Sierra Leone Landscape, 2010 | |
Berni Searle, Color Me, 2000 | |
Kader Attia, Oil and Sugar, 2007 | |
Ann Hamilton, Indigo Blue, (1991) 2006, SF MOMA | |
Kara Walker, A Subtlety or the Marvelous Sugar Baby, Domino Sugar Refining Plant | |
Banister Fletcher, A History of Architecture, 1896, 1901, 1961 | |
Anna Heringer, "Hand-made" School, displayed at the Met, Bangladesh | |
Permanent Settlement Act of 1793, Criminal Tribes Act of 1871, De-natified Tribes in 1952, Habitual Offenders Act of 1959 | |
Berlin conference 1884 | |
Rem Koolhaas and OMA, Seattle Public Library | |
Rem Koolhaas and OMA, CCTV building in Peking | |
Rem Koolhass, "Lagos" in Mutations |
Want to create your own Flashcards for free with GoConqr? Learn more.